Drawing daily if I can, and painting a bit too. I had the watercolors set up on the kitchen counter, but then I found the little blue footprints.... Mac thinks natural-bristle brushes are HIS. He steals.
Here is the original ink drawing; I made it earlier this week, holding the pitcher in my left hand as I drew. I think this was my grandmother's; I am fond of it.
Thursday, January 29, 2009
Pitcher, watercolor
Tuesday, January 27, 2009
Sunday, January 25, 2009
Boy on Lombard Street, SF, February 1971

Photo I took in SF February 1971; trying to paint it. Love it, love it, lost the negative, only have one 8x10 print that I have scanned. Started to block in on top of some old paint; stopped and now am trying to draw it to get it all figured out.
This kid was playing with his friends and I love his laughing face and stance. That left foot! Those shadows! The proportions of the background are amazing me!
Tuesday, January 20, 2009
Yes we can!

From the wonderful Urban Sketchers site, our SketchCrawl friend Gabi Campanario commemorates the inaugural with a sketch of a stack of Obama cakes from the bakery at Albertson's grocery store.
Monday, January 12, 2009
SketchCrawl Seattle: January 10, 2008
Glad Bill posted his wonderful pictures including the Art building; also glad to see the great drawings of the Music building that faces it by Edwin and, from another angle through those cherry trees, by Beth. These are all on the 21st SketchCrawl site for Seattle. (I want to see Guy's giant squirrel!)
After the first sketches, we each turned to the person on our left and began anew. Edwin had drawn Guy, now he drew me. I drew Beth twice.
During the first round, we had laughed and talked and shifted around, a bit self-conscious, I think, about making our portrayals. During the second set of portraits, very soon our concentration was wonderfully powerful and intense. Very exciting to do this; thank you to Beth, Edwin, Bill and Guy for sharing this experience with me! I think it is really cool that now Bill and Guy, father and son, have made portraits of one another.
At the top of my page is Beth, not as beautiful is she really is but it was fun to draw her clouds of hair!
We reconvened at the Solstice Cafe in early afternoon with 15 or more SketchCrawlers and shared our drawings with one another.
You say it's your birthday!? We're gonna have a GOOD time!
I kept trying to leave but the band kept breaking into great dance tunes and I had to
The best reason for a party was to celebrate the 65th birthday of L's other half, the estimable Mr. Smith. Dick is now "officially the world's oldest 18-year-old." Ever so true.
Note his shirt: Lauralee's turquoise accordian had its public debut in a classic version of "Twist and Shout." So we did -- although I was briefly expecting her to play "All Along the Watchtower" and I still hope she will.Definitely a weekend for old friends. Beth (SketchCrawl) and I were locker partners in 8th grade. Lauralee and I go back nearly that far --
She remembers, if I don't, that I took this picture of her band Rock Kandy on the Seattle Art Museum camels in Volunteer Park in 1968. And somewhere I probably still have the negative for a picture of Lauralee and Dick on New Year's Eve 1970.
21st International SketchCrawl in Seattle
We joined the 21st International SketchCrawl, which took place in Seattle as well as almost 100 other cities around the world! Thanks to wonderful Beth -- my friend of more than 4 decades now -- for this picture:
Monday, January 5, 2009
SketchCrawl!
Monday, December 8, 2008
Wheels on a boat
Drawn from the car, 4:40 ferry Seattle to Bainbridge (it's Winslow! why did they change the name of the ferry run?!). I made the red Corvette look like a Gremlin; ha!
Drawn with a Rotring "Art Pen"; I suppose F stands for Fine. I liked it fine for drawing. Colors added later with NeoColor crayons, followed by a bit of water on a paintbrush: the ink that came in cartridges with the pen is not waterproof, it turns out.
Friday, December 5, 2008
Dorset: farm and the cherry tree
More or less the same view (this time, through a window with a camera) that I drew last June: the cherry tree in its fall color, and the old old farm.
Sunday, November 30, 2008
The Thames, 24 November 2008
Some beautiful sketches on the Urban Sketcher by Katherine Tyrell, who reports (visually) from London. I saw the same yellow birches a few days later, and almost the same view of St. Pauls from the Tate Modern. I enjoyed a day with Marion and Brian and a bit of red wine and lots of Rothko.
Saturday, November 29, 2008
Sunday in London
Sketchbook stayed in my pocket until the last couple of days, but the cellphone camera grabbed this image when I made my way up to London near the end of my trip.
Thursday, November 6, 2008
On the road again
Sunday, October 26, 2008
Saturday, October 25, 2008
Market Pillars: Seattle Sketchcrawl
I went into the Market and drew the pillars. And of course flowers. I bought a bunch of flowers and came back outside to "color in" my drawing. Most fun part, next to looking down and seeing the tile with my old next-door neighbor's name on it!
Afterwards I went to S'Abadeb: The Gifts -- the just-opened exhibit of Salish (Puget Sound area) art at the Seattle Art Museum. Old and NEW: Marvin Oliver's raven print (which I had only seen in a greeting-card size reproduction), and carvings by Susan Point, and some modern bentwood cedar boxes with polychrome carving (Andrea Wilbur-Sigo: stupendous. And some of the oldest pieces I've ever seen; cedar and wool and other organic materials tend not to last long in this climate, but there were a few very ancient carved pieces and even a fragment of woven cedar-bark hat. I will go back.
The exhibit is on until January. Anyone who lives here should find out about the incredibly sophisticated art that has been made in this region before "europeans" arrived. To my mind, this art should be the permanent centerpiece of the Seattle Art Museum.
Sketchcrawl Seattle at the Market October 25, 2008
My first drawing was just to clear the buffers and hit "re-set"! There's too much to see! I can't draw it all! but I drew Beth's cousin Katie.
Monday, September 1, 2008
We've got Feegles!
Sunday, August 31, 2008
Painting with Beth at the Ballard Farmers Market
It was raining, so we agreed to do recon in Ballard, where we grew up. We thought we might find a spot from which to paint the old library -- that is, the OLD old library, the Carnegie on Market Street (where I first learned to read: "See Jane run!"). The Ballard Sunday Farmers Market was a surprise to us, and then the sun came out!
We set up our easels and as we painted, we had lots of admiring attention from strollers, and people with strollers, and even people in strollers. During a break, we ate crepes for lunch as we sat on the curb. "Montana Slim," playing music up the street a bit, provided the soundtrack (and placed a CD in my paintbox as they were leaving! thanks, Slim!). Their rendition of Talking Heads' "Home" really lit the fuse on the afternoon for me. Bliss.
And then we went to Ray's Boathouse and sat on the deck in the sun with a refreshing drink, talking about the trials and joys of ... well, life.
In my picture, the part I like best is the row of farmers' tents; that's where I fussed the least. The brick bell tower at the north end of the market stands next to the old Ballard News Tribune building; my dad delivered that paper when he was in his early teens. I'm not used to painting with an audience: I stared at my painting more than at the scene, and that usually fails. Still, I got some colors I like. Oil paint is still very new for me; everything is experimental! Beth reminded me that we are just sketching!
(Also thanks for the picture of me: I look happy!)
Thursday, August 14, 2008
Unclasped
Thursday, July 24, 2008
A Talisman
I don't think this painting is finished, but the longer I don't work on it, the less I can remember about how to get back to where I was in my head while working on it. In my head or out of it: wherever that was.
At the end, Danny said, "there's a painting on a cigar box lid..." and until that moment I had not even thought of Serusier's "Talisman." I had seen it a month earlier in a small dimly-lit gallery in the Musee d'Orsay; Serusier (one of the "Nabis") is said to have painted it under the guidance of Gauguin. I can just imagine. I am not a fan of Gauguin, though I may have to give him another look, prompted by Martin Gayford's "The Yellow House: Van Gogh, Gauguin, and Nine Turbulent Weeks in Provence."
Thursday, July 10, 2008
Thinking about drawing
More drawings from a few days of class. Not great, but not bad considering that I was taking "Beginning Drawing" less than four years ago. Yeah, okay, if I'd been 16 then I'd expect more progress and refinement by age 20! But after decades of "I can't draw; I wish I could draw" it is deeply satisfying to get even this far!
Wednesday, July 9, 2008
Tuesday, July 1, 2008
Raven mask

Amazing to go from Paris museums to, a few days later, Seattle art museum and see work by Morisot, Manet, Goya, Velasquez, Renoir. After the "Inspiring Impressionism" exhibit (go! closes mid-September), Tim and I went downstairs to look at the astounding northwest coast art. I drew some masks; here is Crooked Beak of Heaven (raven).
Thursday, June 26, 2008
Ferry ride home

Tuesday, June 24, 2008
Saturday, June 21, 2008
Midsummer Concert

Friday, June 20, 2008
Orsay Terrace, 20 June
![]() |
| From Tyler Street |
On the upper levels of the Musee d'Orsay, there is a terrace with views across the Seine towards the Tuileries, the Louvre, and across town to Montmartre and Sacre Coeur. I spent all day at the museum, drinking in colors.
Thursday, June 19, 2008
The Seine in Rain
Pantheon and Santiago
June 19, evening, I went out for a walk and a few blocks from the flat, I saw on a bench and drew the Pantheon as carefully as I could. I also wanted to draw the parking spot with outlet for recharging electric cars but I couldn't fit it in!I felt a little bit brave when I sat down, but by the time I stood up again, I realized that sketching in public in Paris was totally fun and absolutely the best thing to be doing and not the least bit scary.
I added a picture of the golden shell that is the symbol of the pilgrims who walk to Santiago de Compostela in Spain. John bought it for Jane when they were there a few years ago, and she wore it almost all the time. John gave it to me at Jane's memorial service last year. Just after I made this drawing, I went around the corner to the Rue St. Jacques, where pilgrims leaving the Ile de la Cite in the Seine would take their first steps on the ancient road to Rome, or to Santiago (= St. Jacques = St. James). I thought of Jane a lot on this trip, about getting to know her when I was 17, and I also thought a lot about being in Paris for the first time when I was 19.
Une Manifestation

June 19: After my coffee in the place Contrescarpe, I strolled up the rue Descartes and rue de la Montagne Ste. Genevieve to the street market: tomatoes and cherries, poppies and cheese!
Then, my way back was blocked by police, who were spreading out and blocking streets in preparating for a "manifestation" or demonstration. Since I couldn't continue up the street, I went in to a little store to buy some milk and butter. When I came out, the demo had moved downhill so I was free to continue. Instead, I stopped and stood on the sidewalk, shopping bags at my feet, to draw what I saw.
The demo was very calm: some slogans, some singing, a bullhorn, some sitting down in the street. Police vans everywhere and police with riot shields, but their helmets were hanging on their belts and it all seemed fairly routine.
The banners had the names of various university departments, and one said "Sauvons l'universite" (let's save the university); does anybody know what the issue was, on June 19, 2008, at the rue des Ecoles and rue de la Montagne Ste. Genevieve?
Un Cafe s.v.p.
First morning in Paris: my command of the French language, limited at the best of times, only extended to "un cafe" at the Cafe Les Arts on the Place Contrescarpe.Do you see the Place Contrescarpe in my sketch? No, you do not! I was still too shy to stare at anything beyond the immediate vicinity of my own table and the chairs nearby. I did get a "Velib" bicycle (Paris's amazing bike rental system) across the sidewalk.
Wednesday, June 18, 2008
Southampton to CDG
Old Harry

The chalk cliffs at Swanage are irresistible for sketchers like me and this lady. Her other half was napping; my other half was taking pictures of plant life. This chalk "creature" is called Old Harry. Ronald Jesty did a wonderful watercolor of Old Harry; it's in one of my art books (with a different name) and we saw a giclee print in the window at Quarr Gallery in Swanage. They have more of Jesty's and others works available.








